Big Ideas
Big Ideas
An artist’s intention transforms materials
any visual arts materials, ranging from traditional to innovative. The spectrum of materials available to artists is constantly evolving and open-ended.
into art.
Graphic arts
use methods such as traditional printmaking, graphic design, illustration, and concept art for the purpose of reproduction
reflect the interconnectedness of the individual, community, history, and society.
Growth as a graphic artist is dependent on perseverance, resilience, and reflection.
Artistic expression is an artist’s physical and cognitive articulation of our humanity
the qualities of being human (e.g., the capacity for love, creativity, inquiry)
.
Artistic works offer unique aesthetic experiences
emotional, cognitive, or sensory responses to works of art
in a variety of contexts.
Content
Learning Standards
Content
elements of visual art
colour, form, line, shape, space, texture, tone, value
principles of design
balance, contrast, emphasis, harmony, movement, pattern, repetition, rhythm, unity
image development strategies
processes that transform ideas and experiences into visual images (e.g., abstraction, compression, distortion, elaboration, exaggeration, gesture, figure, fragmentation, free association, juxtaposition, magnification, metamorphosis, minification, multiplication, point of view, reversal, rotation, simplification, stylization, thumbnail sketch, storyboard, narration)
printmaking and graphic forms
for printmaking and graphic arts (e.g., printmaking, digital graphics, concept art, illustration, graphic novels, typography, other genres)
, materials for printmaking and graphic arts (e.g., linoleum, copper, aluminum, acrylic, polystyrene, screens, ink, paper, fabric, wood, improvisational materials such as collagraph materials)
, technologies for printmaking and graphic arts (e.g., pencils, pens, brayers, printing presses, barens, chisels, etching tools, carving tools, airbrushes, rulers, digital graphic software, scanners, printers, cameras, hand-held devices)
, and processes for printmaking and graphic arts (e.g., stencils, registration, layering, editions, kitchen lithography, aquatinting)
creative processes
the means by which an artistic work (in dance, drama, music, or visual arts) is made; includes multiple processes, such as exploration, selection, combination, refinement, reflection, and connection
symbols and metaphors
roles of artist and audience
influences of visual culture
aspects of culture that rely on visual representation
in social and other media
traditional and contemporary First Peoples worldviews, stories, practices, and history, as expressed through graphic arts
contributions of traditional, innovative, and intercultural graphic artists from a variety of movements and periods
moral rights
the rights of an artist to control what happens to his or her creations (e.g., preventing them from being revised, altered, or distorted); students should understand when they can and cannot modify an image created by someone else
and the ethics of cultural appropriation use of a cultural motif, theme, “voice,” image, knowledge, story, song, or drama, shared without permission or without appropriate context or in a way that may misrepresent the real experience of the people from whose culture it is drawn
and plagiarism
health and safety protocols and procedures
Curricular Competency
Learning Standards
Curricular Competency
Explore and create
Create graphic artworks using sensory inspiration
ideas inspired by sensory experiences, such as the sound of an orchestra or the smell of a mechanics shop
, imagination, and inquiry
Design, create, and refine graphic artworks
Create graphic artworks for a specific audience
Explore
learn through experimentation, to engage and challenge thinking
artistic possibilities and cross-cultural perspectives
Take creative risks
make an informed choice to do something where unexpected outcomes are acceptable and serve as learning opportunities
to express mood and ideas
Develop skills and techniques related to a variety of styles
Works of art that share common visual characteristics can be described as belonging to the same artistic style.
and technologies
Demonstrate active engagement in creating graphic artworks and resolving creative challenges
Intentionally select and combine materials, processes, and technologies to convey ideas
Explore contributions of traditional and innovative graphic artists from a variety of movements
Art movements occur when groups of artists embrace a common philosophy, style, and goal, usually within a similar time frame (e.g., Renaissance, neoclassicism, Romanticism, impressionism, symbolism, post-impressionism, art nouveau, art deco, fauvism, expressionism, cubism, futurism, Dadaism, de Stijl, Bauhaus, constructivism, surrealism, social realism, abstract expressionism, Color Field, pop art, op art, land art, minimalism, Graffiti, post-modernism, remodernism).
and contexts
Reason and reflect
Understand the purpose of a critique
age-appropriate feedback strategies (e.g., one-on-one dialogue, safe and inclusive group discussions, reflective writing, gallery walks)
and choose when to apply suggestions
Describe and analyze, using discipline-specific language, how artists use materials, technologies, processes, and environments
place-based influences on the creation of artistic work; art related to or created for a specific place
in graphic arts
Analyze design choices in graphic artworks
Develop personal answers to aesthetic questions
questions relating to the nature, expression, and perception of artistic works
Examine the influences of a variety of contexts
for example, personal, social, cultural, environmental, and historical contexts
on graphic artworks
Communicate and document
Document
through activities that help students reflect on and demonstrate their learning (e.g., writing an essay or article, journaling, taking pictures, storyboarding, making video clips or audio-recordings, constructing new works, compiling a portfolio)
, share, and appreciate graphic artworks in a variety of contexts
Demonstrate awareness of self, others, and place
any environment, locality, or context with which people interact to learn, create memory, reflect on history, connect with culture, and establish identity. The connection between people and place is foundational to First Peoples perspectives on the world.
through art making
Express thoughts and emotions through graphic artworks
Communicate about and respond
through activities ranging from reflection to action
to social and environmental issues including local, regional, and national issues, as well as social justice issues
through graphic artworks
Connect and expand
Create graphic artworks to reflect personal voice
a style of expression that conveys an individual's personality, perspective, or worldview
, story, and values
Explore First Peoples perspectives, knowledge, and protocols; other ways of knowing
First Nations, Métis, Inuit, gender-related, subject/discipline-specific, cultural, embodied, intuitive
, and local cultural knowledge through graphic arts
Explore the reciprocal relationships between graphic arts, culture, and society
Explore personal, educational, and professional opportunities related to graphic arts and related fields
Connect with others on a local, regional, or national scale through graphic artworks
Demonstrate safe and responsible use of materials
using materials in an environmentally responsible way, including considering their level of biodegradability and potential for reuse and recycling
, tools, and work space